As he steps into the damp, flickering basement, a hologram of a young, 1982-era Miguel Ríos flickers to life on a makeshift stage. The opening chords—those iconic, driving power chords—vibrate through the floorboards. “Bienvenidos... hijos del rock and roll!”
Elias meets an old woman in the corner, her white hair styled in a defiant pompadour. She is the Keeper of the Vinyl.
She smiles, her eyes reflecting the strobe lights. "Miguel always said it: 'Buenas noches, bienvenidos.' It’s time to welcome the rest of the world back to the party."