The commune’s idyll is threatened when a male fugitive is secretly harbored in their basement, exposing the cracks in their absolute separation.
LaBruce uses the film as a "plea for female solidarity" that transcends biological determinism, advocating for a feminism inclusive of all women regardless of their gender assigned at birth. The Threat of the "Oppressed Becoming Oppressor" The Misandrists (2017)
Bruce LaBruce’s The Misandrists (2017) is a satirical, campy exploration of radical lesbian separatism that simultaneously celebrates and critiques feminist ideologies. Set in a fictionalized "Ger(wo)many," the film follows a cell of the Female Liberation Army (FLA), a goddess-worshipping commune led by the charismatic "Big Mother". While the film is wrapped in a "dirty eye" aesthetic typical of LaBruce's "queercore" roots, it delves into complex questions regarding gender essentialism, trans-inclusion, and the cyclical nature of oppression. The Satirical Lens of Radical Separatism The commune’s idyll is threatened when a male
While some reviewers from Film Threat argue the film contains "more shock than substance," others praise it for using a salacious premise to tackle "big, knotty questions" about patriarchy and power. Set in a fictionalized "Ger(wo)many," the film follows
Ultimately, The Misandrists functions as both a salute to the kinetic power of collective action and a warning against the narrowness of exclusionary politics. It remains a polarizing entry in LaBruce’s filmography, utilizing a "dread carnival" aesthetic to force audiences to confront the messy intersection of gender, revolution, and identity. 'The Misandrists' Review - Santa Fe Reporter