A sadistic, axe-wielding conductor who has made it his personal mission to ensure no hobo ever rides his train, "the Number 19," and survives.
A legendary hobo king who prides himself on his ability to ride any rail for free. He represents the "outsider"—a man who refuses to be regimented or suppressed. subtitle Emperor of the North 1973
Keith Carradine co-stars as Cigaret , a brash, untrustworthy young hobo who tries to leach off A-No. 1’s legend without putting in the work. He serves as a cynical foil to A-No. 1’s seasoned professionalism. A sadistic, axe-wielding conductor who has made it
In the landscape of 1970s "tough-guy" cinema, few films are as rugged or unapologetically visceral as Robert Aldrich’s (originally titled Emperor of the North Pole ). Set in 1933 at the height of the Great Depression, this is not a sweeping historical epic, but a claustrophobic, high-stakes duel between two men who personify the clash between the desperate individual and the unyielding establishment. The Unstoppable Force vs. The Immovable Object Keith Carradine co-stars as Cigaret , a brash,
The plot is deceptively simple: A-No. 1 issues a public challenge to ride Shack’s train all the way to Portland. What follows is a brutal, 118-minute game of cat-and-mouse that culminates in one of the most famous, bone-crunching fights in action cinema, involving chains, boards, and sheer grit. More Than Just a "Bum’s World"
The film centers on an escalating war of wills aboard a steam locomotive in the Pacific Northwest.
