Ro.go.pa.g.(1963) -

The legal battle over Pasolini's "La Ricotta" remains a key case study in the history of film censorship and artistic freedom .

Despite being over 60 years old, its themes of media obsession and consumerist alienation are still strikingly relevant . Ro.Go.Pa.G. (1963) - IMDb

On the set of a film about the Crucifixion (starring Orson Welles as the director), a starving extra named Stracci finally gets enough food to eat but dies of indigestion while filming his scene on the cross . Ro.Go.Pa.G.(1963)

The film explores the effects of modern life, consumerism, and shifting social values through four distinct segments: 1. "Illibatezza" (Chastity) Roberto Rossellini

Rossellini examines the intersection of technology (video) and psychological obsession, critiquing how modern media can distort human relationships. 2. "Il Nuovo Mondo" (The New World) Director: Jean-Luc Godard The legal battle over Pasolini's "La Ricotta" remains

(1963) is a landmark Italian-French anthology film that brings together four of the most influential directors of the 1960s. Its title is an acronym formed from the first letters of their surnames: Ro ssellini, Go dard, Pa solini, and G regoretti .

Set in a Paris where an atomic explosion has occurred high in the atmosphere, a man notices the people around him—including his girlfriend—have begun to act with a strange, detached logic . (1963) - IMDb On the set of a

It captures a specific moment in cinema history where Neorealism (Rossellini) met the Avant-Garde (Godard and Pasolini) .