VR and AR app development including HTC Vive and iOS ARKit.
Web App development specializing in React, DotNet and AWS.
iPhone and iPad app development.
Development of games, tools and technology for multiple platforms.
Integration of your APIs, libraries and technology into other products.
Help your team find the best solution for your products and company.
Creation of Unity based games for multiple platforms including AR and VR.
Development of plugins for Unreal Engine.
Creation of custom Cinema 4D plugins, integrations and solutions.
Body and Facial motion capture
3D PDF, VR, Painting...
Facial Motion Capture
Unreal Engine Plugin
Cloth Simulation Plugin
Sculpting System for Cinema 4D
A series of Unity mini games
Fluid Simulation Plugin
360 and Stereo 360 Images
In the original track, the bass is a melodic, pulsing groove. The boosted version turns this into a physical force. It emphasizes the "rattle" in the sub-frequencies, making it a go-to for car systems or high-end headphones that can handle heavy displacement.
Depending on the quality of the boost, the heavy low-end can sometimes bleed into the mid-range. This can slightly muffle Kendrick’s intricate wordplay or wash out the subtle textures of the backing vocals.
Reviewing a "Bass Boosted" version of is all about how that added low-end weight interacts with Sounwave and James Blake’s original, sleek production. The Sonic Profile
Kendrick’s flow on this track is remarkably rhythmic and percussive. A well-executed bass boost syncs with his syllables, making lines like "I'm willing to die for this shit" feel more menacing and authoritative. The Pros
Founder/Developer
Office Cat
Designer
