Hai Veniti Flacai La Joc. Dumitrita Visnevschi, Nicolae Negru,v. Lemnaru, V. Oancea,: V. Craciun

While sometimes credited as a performer, records indicate his primary role as the videographer/documentarian capturing these live traditional sessions. 2. Cultural Context: "Muzica de la Masă până la Dans"

Principal vocal soloist, known for her performances at weddings ( nunți ) and baptisms ( cumătrii ) throughout the Moldova region. While sometimes credited as a performer, records indicate

Keyboards ( clape ), grounding the rhythm and harmony. Keyboards ( clape ), grounding the rhythm and harmony

"Hai veniți flăcăi la joc" is more than a song; it is a document of the "Lăutari" tradition in Southern Moldova. By combining vocal calls-to-dance with expert brass and percussion, the ensemble preserves the authentic energy of Romanian/Moldovan village life for digital and live audiences alike. 1. Artistic Lineup and Ensemble Roles

The performance features a collaborative "lăutari" ensemble, with each member providing a distinct layer to the traditional soundscape:

Trumpet ( trompetă ), providing the melodic "edge" common in Bessarabian folk suites.

This paper examines the musical collaboration titled "Hai veniți flăcăi la joc" (Come, Lads, to the Dance), a performance rooted in the folk traditions of southern Bessarabia (Republic of Moldova). Through the vocal leadership of Dumitrița Vișnevschi and an ensemble of skilled instrumentalists, the work serves as a modern preservation of traditional hore and sârbe , essential to the regional "voie bună" (good mood) social fabric. 1. Artistic Lineup and Ensemble Roles