The verse serves as a "shout-out" to Smiley's inner circle, reinforcing their dominance in the dancehall space.
The lyrics use a repetitive, hypnotic cadence that mirrors the heavy bassline of the Mad Mad riddim.
The third verse, performed by Winston Foster (Smiley), contains the specific reference:
In the early 1980s, Jamaican sound system culture was transitioning from roots reggae to the harder, more rhythmic dancehall style. Michigan & Smiley were pioneers of the "combination" style (two DJs trading verses). "Diseases," produced by Henry "Junjo" Lawes on the iconic , became a global anthem. 🎤 The "Dragon Unit" Verse
This verse helped popularize the idea of "Units" or "Posses" in reggae, which later evolved into the "Crews" and "Squads" of 90s hip-hop. 🌍 Legacy
While "Diseases" is primarily known for its social commentary on global suffering and inequality, the transition into the Dragon Unit verse represents the of the dancehall. It reminds the listener that despite the "diseases" in the world, the "Unit" provides a space for rhythm, movement, and community.
The Dragon Unit was a specific group of dancers, associates, and "selectors" (DJs) who traveled with Michigan & Smiley.
| # | Feature | Standard | Pro |
|---|---|---|---|
| 1 | Possibility of creating a limitless number of pairs of virtual serial port | ||
| 2 | Emulates settings of real COM port as well as hardware control lines | ||
| 3 | Ability to split one COM port (virtual or physical) into multiple virtual ones | ||
| 4 | Merges a limitless number COM ports into a single virtual COM port | ||
| 5 | Creates complex port bundles | ||
| 6 | Capable of deleting ports that are already opened by other applications | ||
| 7 | Transfers data at high speed from/to a virtual serial port | ||
| 8 | Can forward serial traffic from a real port to a virtual port or another real port | ||
| 9 | Allows total baudrate emulation | ||
| 10 | Various null-modem schemes are available: loopback/ standard/ custom |
The verse serves as a "shout-out" to Smiley's inner circle, reinforcing their dominance in the dancehall space.
The lyrics use a repetitive, hypnotic cadence that mirrors the heavy bassline of the Mad Mad riddim.
The third verse, performed by Winston Foster (Smiley), contains the specific reference:
In the early 1980s, Jamaican sound system culture was transitioning from roots reggae to the harder, more rhythmic dancehall style. Michigan & Smiley were pioneers of the "combination" style (two DJs trading verses). "Diseases," produced by Henry "Junjo" Lawes on the iconic , became a global anthem. 🎤 The "Dragon Unit" Verse
This verse helped popularize the idea of "Units" or "Posses" in reggae, which later evolved into the "Crews" and "Squads" of 90s hip-hop. 🌍 Legacy
While "Diseases" is primarily known for its social commentary on global suffering and inequality, the transition into the Dragon Unit verse represents the of the dancehall. It reminds the listener that despite the "diseases" in the world, the "Unit" provides a space for rhythm, movement, and community.
The Dragon Unit was a specific group of dancers, associates, and "selectors" (DJs) who traveled with Michigan & Smiley.