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Directed by Alex Sichel and written by her sister Sylvia, All Over Me (1997) is a quintessential piece of New Queer Cinema that captures the gritty, pre-gentrification atmosphere of New York’s Hell's Kitchen. Often compared to Larry Clark’s Kids (1995) for its raw depiction of urban youth, the film is distinguished by its focused exploration of female desire and the burgeoning Riot Grrrl subculture of the late 90s. Narrative and Themes
All Over Me (1997) | LGBT Movie Review | Starfighter Reviews
: The film examines the "downward spiral" experienced by adolescent girls as their priorities shift. Claude's journey is one of self-actualization, moving from a suffocating obsession with the drug-involved Ellen toward finding her own voice in the queer music scene.
The story centers on Claude (Alison Folland), a 15-year-old aspiring guitarist who is navigating an intense and increasingly toxic bond with her best friend, Ellen (Tara Subkoff).
: Unlike many tragic queer narratives of the era, reviewers from AfterEllen describe the film as ultimately optimistic. It depicts Claude’s realization that total allegiance to a destructive heterosexual culture can be life-threatening, leading her to eventually "plug in" her guitar and move forward. Cultural and Sonic Landscape
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