He began to realize that the "deepness" of a story isn't in what is shown, but in what the viewer brings to the frame. To create a deep story from any image, you must look beyond the subject and into the "whys" of the moment:
: Why was this specific second worth freezing forever? School of Motion suggests that knowing the "Why" is the hardest but most essential part of storytelling. a1.jpg
jpg" image so I can tailor the story specifically to what you see? He began to realize that the "deepness" of
